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                  <text>Colección documental de &lt;em&gt;Folil&lt;/em&gt;, película chilena  realizada en Wallmapu y territorio rural de la zona sur, Chile. Dirigida por Ignacio Montenegro Bralic junto a profesionales de las ciencias, cine, educación y comunidades de Pucura y Traitraico. Los documentos dan cuenta del proceso de creación, rodaje y producción de la película</text>
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                  <text>Equipo &lt;em&gt;&lt;em&gt;Folil&lt;/em&gt;&lt;/em&gt;&lt;br /&gt;&lt;a href="https://www.instagram.com/peliculafolil/?show_story_unavailable=1&amp;amp;hl=es"&gt;@peliculafolil&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;</text>
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                  <text>Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial 4.0 Internacional.</text>
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                <text>Afiches oficial &lt;em&gt;Folil&lt;/em&gt; en dos versiones</text>
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                <text>Dos versiones del Afiche oficial de la película &lt;em&gt;Folil&lt;/em&gt;. Material de difusión</text>
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                <text>Paulina Montero y Joel Martínez</text>
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                <text>Equipo &lt;em&gt;Folil&lt;/em&gt;</text>
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                <text>Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial 4.0 Internacional.</text>
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                  <text>&lt;span&gt;Colección documental de Amaya Clunes Gutiérrez, diseñadora escénica. Los registros son testimonio de su trayectoria artística y sus procesos de creación desarrollados principalmente desde Santiago, Chile y Montreal, Canadá. La colección forma parte de la investigación "Huellas de creación, territorios y oficios: colección de archivos de mujeres de las artes escénicas en Chile", financiada por el Fondo Nacional de Fomento y Desarrollo de las Artes Escénicas, Convocatoria 2021. Su objetivo es conocer y visibilizar a mujeres creadoras de las Artes Escénicas.&lt;/span&gt;</text>
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                  <text>Archivos de  Amaya Clunes </text>
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                  <text>Javiera Brignardello</text>
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                  <text>Fabiola Neira</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="216">
                  <text>Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial 4.0 Internacional.</text>
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                  <text>Chile, Canadá.</text>
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                <text>&lt;span&gt;Compilado &lt;em&gt;Y veinte años... no es nada&lt;/em&gt; de Amaya Clunes&lt;/span&gt;</text>
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                <text>&lt;span&gt;Compilado de fotografías, imágenes y recortes de prensa sobre la obra &lt;em&gt;Y veinte años... no es nada&lt;/em&gt; (1993) de Amaya Clunes. Dirigida por Amaya Clunes y asistida por Pedro Riffo, la música estuvo a cargo del conjunto Lemunatú, escenografía y vestuario por Amaya Clunes, Rosaura Gúzman, Isidora Gúzman y Patrice Duhamel. El documento incluye anotaciones en francés respecto a los bocetos de vestuario para los personajes de la obra. Asimismo, se aprecian fotografías en escena y de la maqueta realizada por Amaya Clunes, Rosaura Gúzman e Isidora Gúzman. La obra fue montada en una co-producción entre el Departamento de Teatro de la Universidad de Quebec de Montreal y el N.T.E. La Barraca. &lt;/span&gt;</text>
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                <text>Laura Ramos Coche</text>
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                <text>&lt;span&gt;Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial 4.0 Internacional.&lt;/span&gt;</text>
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                  <text>Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial 4.0 Internacional.</text>
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                <text>&lt;span&gt;Folleto de presentación del film &lt;em&gt;El copihue rojo&lt;/em&gt; (1980) de Amaya Clunes. Incluye comentario del animador Norman McLaren sobre la obra de Clunes.&lt;/span&gt;</text>
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                <text>&lt;span&gt;Material recopilado por Amaya Clunes a partir del Proyecto “Huellas Mujeres” que busca investigar y difundir los procesos de creación de mujeres artistas y trabajadoras del teatro chileno.&lt;/span&gt;</text>
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                <text>Laura Ramos Coche</text>
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                <text>&lt;span&gt;Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial 4.0 Internacional.&lt;/span&gt;</text>
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                <text>&lt;span&gt;Fotografía blanco y negro en escena de la obra&lt;em&gt; El círculo de tiza caucasiano&lt;/em&gt; de Bertolt Brecht, dirigida por Atahualpa del Cioppo. Amaya Clunes diseño el vestuario para el montaje realizado por el ITUCH en 1963.&lt;/span&gt;</text>
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                <text>&lt;span&gt;Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial 4.0 Internacional.&lt;/span&gt;</text>
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